Fatma Mostafa

Fatma Mostafa has been working in Cairo since 2017, hand-forging brass and silver into pieces that resist the category of jewelry without quite claiming the category of sculpture. The enamel work is the tell — color applied with enough deliberateness that collections named after water lilies or red cabbage read as visual essays rather than seasonal theming. The To Palestine pin is the clearest signal of the brand's posture: politically direct, not decorative-adjacent. A MAX&Co. collaboration suggests the work translates outside its production context. What holds across the range is that the objects photograph as things in space, which is harder to achieve in this material than most jewelry brands in the Cairo scene would admit.